Guardians of the Galaxy banner. Walt Disney Studios Motion Pictures/Marvel Studios.
Guardians of the Galaxy poster. Walt Disney Studios Motion Pictures/Marvel Studios.
4 ½ stars.
There would have been many anxious minds over the course of GUARDIANS OF THE GALAXY’s production these last couple of years. Studio executives concerned about their most peculiar and unrecognizable property ever, knowing they couldn’t simply reply on smearing the title alone across their marketing campaign (ala Iron Man) to get audiences’ attention (and dollars); comic book fans gravely worried that bringing such a beloved property to mainstream cinema would strip it of everything that made it great. After what seemed like an eternity in waiting and the most forward and far-reaching marketing campaign for a Marvel film so far, Continue reading →
One problem with Lucy is that it simply starts and finishes in the blink of an eye. There’s no real introduction, nor is there a satisfying conclusion. It is a short film, only 89 minutes, however it still feels like less of a whole film than others that run similar lengths. Similarly to the Angelina Jolie film Maleficent, LUCY could’ve benefited from a longer running time to fully develop characters and plot points. That said, LUCY was still a waste of an hour and a half. As it was, any longer most likely wouldn’t have done anything to save it. Continue reading →
BLENDED reunites star-crossed actors Adam Sandler and Drew Barrymore once again, this time as single parents on a familiar and predictable romantic trajectory.
Sandler and Barrymore star as Jim and Lauren, a widower and divorcee (or she’s separated, the film never quite makes it clear) respectively, who first meet on the worst blind date ever. So, naturally, they’re forced to bump into each other again – and again. This second time is where they both learn of a family vacation up for grabs due to a relationship spat between Jim’s boss and Lauren’s best friend. Continue reading →
There is literally nothing to this movie other than an abundance of jokes. There’s no substance, no dramatic depth and no emotional stakes. To be perfectly fair though, A MILLION WAYS TO DIE IN THE WEST never actually tries to exhibit any of these things – and that’s totally okay.
A MILLION WAYS TO DIE IN THE WEST comes from Seth MacFarlane, creator of Family Guy and American Dad and the mastermind behind 2012’s best comedy – Ted. MacFarlane once again takes on directing and writing duties, but this time
around he has also cast himself as the leading man. Continue reading →
GODZILLA is directed by Gareth Edwards, a first-rate up-and-coming talent behind the camera who wrote and directed the brilliant 2010 indie sci-fi Monsters. Taking the director of a superbly quiet movie like Monsters to be the guiding hand of the extravagant and sweeping action of a Godzilla film could’ve resulted in something rather lackluster and incompetent, but thankfully Godzilla is mostly a roaring success.
In this modern day reboot of Godzilla, the story spans a few different time periods as we’re teased regarding some sort of monstrous entity rampaging through the world. Continue reading →
Let me preface this by saying I’m not at all overwhelmingly put off by the presence of Tom Cruise in a movie. Not even a little bit.
Edge of Tomorrow comes from Doug Liman, who has directed some fantastic films over his career in a wide range of genres, and also Jumper (the less said about that one, the better.) Starring Tom Cruise and Emily Blunt, Edge of Tomorrow is set in the near future following a devastating alien invasion by creatures Earth have come to call ‘Mimics’. Major William Cage (Cruise) is a public relations specialist. He’s all about selling the war against the invasion without ever actually getting his hands dirty – so naturally he gets sent to the frontline. Continue reading →
X-Men: Days of Future Past logo. Twentieth Century Fox/Marvel
X-Men Days of Future Past poster. Marvel/Twentieth Century Fox
4 ½ stars
In a word: Determined
If I was ever so apprehensive about a movie in 2014, it was this one. X-Men: Days of Future Past, right from the outset, was a huge risk. Time-travel and alternating timelines, the huge ensemble cast, being a follow-up act to First Class and Bryan Singer’s return to the franchise set up quite a high bar.
It can be so easy to declare the latest film in an immensely popular franchise with an ever-growing fan base the ‘best one so far’. For DOFP, however, this is the only statement worthy of the film. It takes the best elements of every X-Men film so far, and throws them together in a near-perfect exercise of superhero storytelling. Continue reading →